Heading into space with Stephen

So a few weeks ago I was randomly scrolling on Ravelry and noticed a pattern placeholder for Stephen West’s upcoming annual Mystery Shawl KAL. And I was intrigued. I”m not a huge KAL person - I tend to be the one jumping on the bandwagon of a particular pattern approximately 5 years after everyone else - and I’m not a huge fan of many of Stephen’s designs (So. Much. Neon.) But…I’ve been sorely lacking in knitting mojo for a long time now, and I was in the midst of cleaning out and reorganizing my stash closet, so I took a closer look.

Two key points that sold me on joining this KAL: Geometric and gradient - I could use colors that were related to each other instead of having to throw things together and hope that they would look good in the final product, and I adore geometric motifs. The shawl also only calls for 1520 yds (so 4 skeins of ~380 yds each) so likely won’t end up being large enough to need to be blocked on a king-sized bed.

And then there was my stash clean out - maybe I could spin the yarn for the KAL and kill 2 birds with 1 stone: kick start some knitting and reduce the pile of wool that I needed to cram back into my closet. Win, win, right?

I pulled out some Victoria Sponge batts from long ago and decided to take a whirl with spinning them up and seeing how they might work together for a “gradient”. These batts were an experiment from many years ago at layering one color/type of fiber in-between 2 outer layers, like the jam in a traditional Victoria Sponge cake. I didn’t have 4 sets of batts in a true light-to-dark gradient, but I did find 4 different colors that I thought could potentially work together.

Color 1 is 66% undyded BFL and 33% natural brown Corriedale. Color 2 is a mix of 2 different batts - one set was 50% BFL (green) and 50% Wensleydale (gold shades) and the second was 66% natural Romney and 33% BFL in green and purple.

Moving to the second row of the gallery, Color 3 is 50% purple Charollais and 50% Wensleydale. Finally, the pi nk batts for Color 4 are 50% grey Shetland, 25% pink BFL and 25% pink Wensleydale.

4 skeins of handspun yarn in pale tan, green/gold, gold/purple, and pink/grey (from left to right)

Sort of a gradient

All batts were stripped lengthwise into 3-4 pieces and spun with a short forward draw at a 1:15 ration on may Lendrum. They were then plied at 1:12 on the same wheel - for some of them (#3 in particular) I probably should have plied at a slightly lower ratio as it’s somewhat overplied, but so be it!

The good news is that I had a really good time spinning these batts and it’s great to have them spun up as examples of what happens with that type of color layering.

The bad news is that I don’t have enough yarn for the KAL - I needed about 380 yards of each, and what I ended up with is well short of that (Color 1: 290 yds; Color 2: 186 yds; Color 3: 177 yds; Color 4: 299 yds). It’s a good example of how longwools (like Wensleydale) can affect yardage - I find that they tend to create a very dense yarn, without the loft and spring of something with some more crimpy fibers like Corriedale.

So now I will have to stop by a yarn store this week and grab myself some skeins for the KAL - such a sad state of affairs! It might turn out that I have enough here to do the shawl, but since I don’t have any idea how much yardage of each color is needed, I’m not brave enough to start off with these and hope for the best! If it turns out I don’t have enough, I think the first and last colors will work really well together for a color work project - I have a bulky cowl design I need to get out that they might work well for if held double?

Comment
Share

Coming back in chaos

Oh my goodness it’s awfully dusty in here…*ducks cobweb, pretends massive spider isn’t glaring at me with murder in her 8 eyes, brushes off the keyboard and prepares to dive in*

It has been quite some time, hasn’t it? A brief rundown of the last 15+ months:

  1. Got ourselves settled in Austin (moving to central Texas in mid-August is Not. Recommended)

  2. Spent autumn and winter dealing with new jobs/new schools/major family health issues

  3. Finally feeling settled in to new city and bam! Pandemic lockdown/cancellation of school/everyone working from home

  4. #BlackLivesMatter/national and global confrontations with systemic racism

  5. State idiocy resulting in skyrocketing COVID-19 cases in real-life

  6. Ravelry redesign and accessibility issues

I’ve spent the last month or so mostly off of or briefly lurking on social media because there just so much and there doesn’t seem to be enough air in any of the online rooms I’ve been a part of. The Tour de Fleece kicking off last Saturday has given me a nudge to dust off Ye Olde Blogge for an outlet, so here I am. And here is my first Tour de Fleece 2020 spin.

Photo of a skein of 2-ply hands-spuSn yarn in orange, purple and green

Skein 1 for TdF 2020: Porpoise Fur Bluefaced Leicester in “Rita’s Bedroom”

I took this braid and pulled in apart lengthwise into four sections, spun two in the same direction end to end, then flipped the remaining two sections and added those to the bobbin spun the opposite direction. I wound off the singles into a center pull ball after they’d rested for a day or so and plied from both ends of the ball for a 2-ply yarn. Totally mindless comfort spinning.

Final stats:
235 yds/4 oz of fibre
Spun on a Hansen miniSpinner
2-plied, washed and hung to dry without weights
Started: 27 June
Finished: 30 June

Over the course of the spring I’ve been working on a big bag of reddish-purple fiber that was a gift from a London friend, to spin up for a sweater design inspired by Daughter the Eldest. Her version is done, but I’d like to do one in handspun for me (not that I will ever need it here, but I’ll go north eventually!) So that’s likely to be the next project on the wheel, but I’ll see where inspiration takes me.

rav+classic+logo.jpg

I have been watching the current situation around Ravelry’s site redesign and the attendant accessibility issues with huge disappointment both in the way it is being handled by the Ravelry team and with my own ignorance and privilege - before 2 weeks ago I’d never thought about how people with different abilities access websites or knitting patterns, or known anything about the historically poor accessibility of Ravelry even before the launch of the new site.

I’m going to do the following moving forwards:

1) Make my patterns available on multiple platforms, including this website
2) Provide future patterns in accessible formats (with feedback from appropriate groups)
3) Update my old patterns and to more accessible formats
4) Review this website and make the changes needed so it is usable for as many people as possible (to start this weekend with the goal of finishing by the end of the summer)

I hope that I’ll be able to work through my old patterns in fairly short order once I’ve sorted out the first few, but I’ll update here and on Instagram as I go. Any questions or comments, please let me know!

Comment
Share